Tag: obliteration of beauty

  • The Swamp Of Oblivion And Ineptitude

    The Swamp Of Oblivion And Ineptitude

    The swamp of oblivion and ineptitude submerged every enchanted wonder. Shattered marvels were piled up among pieces of dolls and puppets embalmed by the cold, among mummies dilapidated and drowned in oceans of decay and putrefaction. Precious and royal jewellery was swallowed by a crowd of greedy and ravenous ghouls, under the indifferent gaze of the Tyrant Crone, a terrible creature devoted exclusively to the destruction of all the most magnificent artworks of her realm and to find carnal pleasure with a pack of Disposable Playthings, her Puppetgirls, ready to serve their dominant mistress with their bodies and obedience, ostentatious frivolity and shallow fragility in change of money, expensive gifts and prestigious social positions.

    Meanwhile, in this doomed realm of sleaziness and decay, every part of the royal palace was falling to pieces and rivers of latrine water invaded numerous halls and chambers. The catastrophe was already at its culmination, but despair and dismay weren’t known among the vicious inhabitants of the Temple of Collapse, once a marvellous and extraordinary castle. The pavements disappeared under piles of mud and rubbish, and all the historical statues had been replaced by sculptures portraying the mercenary Puppetgirls, in all their most ridiculous poses. The largest and most prestigious temple on the planet had been transformed into a sewer, where every art chef-d’oeuvre had been demolished and reduced to dust and slime.

    Among the Marionettes there was Slashed Putrid Pastry, a ridiculous maid with duck lips, snapping selfies in bathrooms and elevators, one hand forming a heart gesture, all pretence and performative croissant seduction, showing off pricey chocolate boxes, necklaces and tea porcelain sets that her decrepit mistress granted her besides rendezvous in restaurants and secret alcoves of lust. Some statues portrayed la Smokey Faux Fatale, always sprawled on luxury beds scented with antique, expensive perfumes, gifts from her Tyrant Crone mistress for the girl’s obedient submission. The time passed in this kingdom of wreckage and abandon, and hot coffee was poured into fine porcelain sets by the Literary Call Girl, one of the harlots of Tyrant Crone.

    Not a single high-ranked servant of the Tyrant Crone dared ever to utter a single hiss of protest and objection, or their heads would have rolled on the muddy soil. Even the mirrors strove to distort the image of their Supreme Sovereign to make her appear good-looking, when in reality she was monstrous and hideous. Nevertheless, the aristocratic Tyrant Crone disdained everyone but her harlots, authentic lustful courtesans, always ready to indulge in carnal pleasures at her command. They gathered in their favourite putrid galleries and celebrated the demise of art and beauty with squalid debaucheries among smoke-blackened pastries, spoiled coffee cups, and the disgusting remnants of indulgence.

    The penalty for every single Puppetgirl could have been her expulsion from the secret society of the corrupted Tyrant Crone, who lavished all the art palace resources on gifts for her Marionettes and private lascivious bacchanals. Every masterpiece, precious relic and every echo of grandeur had been utterly obliterated, irretrievably lost, swallowed by the diabolical design of the monstrous entity, our beloved Tyrant Crone, and her faithful circle of mercenary courtesans. Day after day, our heroines paraded in ostentation and licentious celebrations, trampling the sublime under their stinking feet, as if the annihilation of beauty and magnificence were the apex of their pleasure.

    Nothing could have been restored and nothing remained but dust, decay and the relentless laughter and sneers of those evil ghouls who thrived on ruin. Nevertheless, the dear Tyrant Crone was there to subjugate both her concubines and her most servile collaborators with lashes and dominion, like an absolute overbearing and disgusting despotic sovereign. The reign of oblivion and annihilation had triumphed, and all lay in ruin, fractured beyond hope; every fragment of splendour erased as it never existed, and extinguished, drowned in the abyss of decay, full of lust sweat and filth.
    Elisabetta Esther

  • The Frial Realm Of Doom And Decaying Art

    The Frial Realm Of Doom And Decaying Art

    The frail realm of doom and decaying art had become a living nightmare like a monstrous creature of the Underworld. Where has the critical sense of reality gone…everyone licking the latrine of wrathful and authoritarian tyrants? Even in cases when the abusive power was so discutible and obscene like putrefaction, the crowd of loyal servants and concubines were following step by step the outrageous path of their inglorious sovereign until the abyss of oblivion and death.

    The most wonderful masterpieces were shattered into pieces and subjected to games of power and prestige without scruples and with cowardice. Shivers and tremors enveloped me like a frantic spiral of oblivion and destruction. I couldn’t accept it anymore and part of me didn’t realise it as a factual truth. My heart bled infinite rivers of sorrow and dismay and I stayed muted; since that day I had lost every memory of the sound of my voice.

    I could have cried all the tears I possessed but they couldn’t wash away the carnage I had witnessed. And I could smell the rot and the sweat of obscene acts that the abusive tyrant poured on the exquisite and delicate masterpieces while the ignoble monster bred with his young and mercenary mistresses one after the other like plastic dolls to be used and thrown away as needed.

    Overwhelmed by a violent storm of disconcerting disdain, I witnessed the complete obliteration of beauty and magnificence. I could listen to music from a broken record and touch the dusty debris of what was once an icon of royal grandness. Pieces of plastic dolls, reeking of vintage perfumes, cigarette butts, pleasure toys, and rancid pastries, coffee cups and worn books were splattered all over the obliterated artworks.

    I saw erratic figures of harlots exchanging pieces of their bodies for money, social favours, extravagant and expensive gifts with their dictatorial exploiter who emerged like a gigantic figure over them, settling their movements like a real puppeteer, and using these empty puppets like a pastime of lust and exploitation.

    The mercenaries of pleasure, money and power periodically agitated to attract the attention of their master with pseudo-attractive attitudes, fake sophistication, patched-up supermarket culture, elevator selfies with fake diva poses. Who was the next one in the eye of their beloved haughty and aristocratic ruler? Who would be the chosen one that day?

    Who would be given the privileged bed after invitations to renowned restaurants and meetings coordinated on Instagram stories? Perhaps the courtesan named the croissant queen would be the winner after all the selfies she took every day in every mirror she came across…

    Stupidity and ostentatious superficiality were essential for the tyrant to ensure that his courtesans had no critical sense… In the end, the less the plastic dolls thought, the grander the show became… What sense is there in having a critical sense of existence when you can live like a lifeless puppet, filled with rot and decay???

    And in the meantime, the girl of luxury, expensive old perfumes and images of iconic divas was frantically trying to be the next one to be used in bed by her life master. She felt the despair even though she showed several images of women in bed to her conqueror who was busy with other young maidens looking for money, luxury gifts and social positions.

    It was like a circle of the damned where these girls were trading parts of their bodies for lavish gifts, important social roles and money wasted on their bodies while they were tossing in bed with their puppeteer. In this realm of opulence and eros, there was no place for authenticity and truth because deception and mercification ruled this world.

    Love and integrity didn’t exist in this latrine filled with stinking putrefaction and excrement. The bell of another hooker who brought coffee with books rang punctually every day for her master, she walked around wagging her tail and winking as she promoted various manuscripts to her overlord who loved to see her winking in commercial videos.

    And between one damsel and another in various beds, restaurants, alcoves and secret meeting places the supreme ruler, ever more tyrannical and authoritarian, held the strings of his puppets and his employees. And the magnificent works of art in his decaying and rotting palace were now dust of decay and oblivion. There was not even a memory left. Nothing at all.

    Indeed, the master of that cursed temple sneered, surrounded by the retinue of subordinated servants, minions, thralls, and sycophantic puppets, each fawning and flinching at every twitch of the monster’s cruel whim.

    Dear Reader what do you think remained of all that maelstrom? Totally nothingness. An abyss of ruin, of faded grandeur, of stolen beauty, where echoes of vanity and lust still lingered like ghosts over the ashes of forsaken dreams.
    Elisabetta Esther

© Esther Racah 2026. All rights reserved.